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Swerve Strickland Calls MJF’s Finisher a Rip-Off — AI-generated editorial illustration
Wrestling

Swerve Strickland Calls MJF’s Finisher a Rip-Off

By Kevin Clifford
September 18, 2026 2 Min Read
0

Swerve Strickland Calls MJF’s Finisher a Rip-Off

In a recent 60‑second interview with Don Chenz, Swerve Strickland was asked to name the worst finishing move in AEW. Strickland didn’t hesitate—he singled out MJF’s piledriver, calling it a stolen move and the worst finisher in the promotion.

Strickland’s Take on MJF’s Piledriver

When the question was asked, Strickland immediately named MJF and his version of the piledriver, a move once associated with Adam Cole. He described the finisher as “suck‑ing” and accused MJF of stealing the move from other wrestlers. The veteran’s criticism highlights a broader debate about originality and respect for wrestling history.

Why the Move Matters

Finishing moves are a wrestler’s signature moment, often tied to their legacy. When a move is perceived as copied, it can undermine a performer’s credibility. Strickland’s comments suggest that MJF’s use of the piledriver feels derivative rather than innovative.

Impact on AEW’s Finishing Move Landscape

AEW has seen a variety of creative finishes, but Strickland’s critique may prompt other wrestlers to re-evaluate their own moves. It also raises questions about how promotions balance homage with originality.

What’s Next for MJF?

While MJF has defended his finisher in the past, the backlash from a respected veteran could influence his future booking decisions. Fans will be watching closely to see if he adapts or continues to use the piledriver as his signature.

For more details, read the full article on Wrestling Headlines.

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Author

Kevin Clifford

Kevin Clifford is an investigative journalist from Two Dot, Montana, known for his remarkably accurate coverage of international conflicts, humanitarian crises, and unexplained events. Unknown to the public, Kevin is virtually invincible and possesses the ability to generate and manipulate powerful magnetic fields. These abilities allow him to stop weapons, move metal objects, disrupt machinery, and protect others from danger—but they also interfere with cameras and electronic equipment. As a result, every photograph or video taken near him contains strange distortions, static, discoloration, or missing details, making clear evidence of his actions impossible to obtain. To the world, Kevin is simply a determined reporter with unusually defective footage; to his closest friends, he is a hidden guardian who uses journalism to uncover threats and magnetism to stop them.

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