Venice 2026: Critics Slam Schrader’s ‘The Basics of Philosophy’

At the 2026 Venice Film Festival, Paul Schrader’s new feature, The Basics of Philosophy, was met with harsh criticism. A review on First Showing described the film as a “disgusting, pathetic drivel” and urged it be removed from circulation. The film’s failure to deliver philosophical insight or engaging storytelling left many viewers disappointed.

Schrader’s Vision vs. Audience Expectations

Schrader, an 80‑year‑old filmmaker known for his contemplative dramas, attempted to explore existential themes through the lens of an aging protagonist. However, critics argue that the narrative devolves into a repetitive monologue about personal failure, with little room for genuine philosophical inquiry. The film’s pacing and dialogue were described as “laughable nonsense,” undermining its intended depth.

Why the Film Fell Flat

The review highlighted several key shortcomings: a lack of narrative purpose, weak character development, and an overall sense that the film was “stinking pile of excrement.” The director’s attempt to blend introspection with cinematic storytelling was seen as ineffective, resulting in a work that many felt was “excruciatingly bad.”

Impact on the Venice Festival Circuit

Venice 2026’s lineup included a mix of bold, innovative works, making Schrader’s film stand out—unfortunately for the wrong reasons. While the festival celebrated daring cinema, this entry was criticized for its failure to engage viewers or contribute meaningfully to contemporary film discourse.

What Critics Are Saying

In the review, the critic explicitly stated that the film should be “forgotten immediately and never shown in any cinema.” This strong condemnation reflects a broader sentiment that the film lacks both artistic merit and philosophical substance. The critic’s frustration is echoed by other reviewers who found the film’s themes unoriginal and its execution lacking.

Conclusion: A Missed Opportunity

Paul Schrader’s attempt to tackle philosophical questions in The Basics of Philosophy ultimately fell short. The film’s repetitive narrative, weak character arcs, and perceived lack of depth left audiences and critics alike disappointed. While Schrader’s legacy includes thoughtful cinema, this latest effort appears to be a misstep that may not resonate with viewers seeking genuine intellectual engagement.

Source: First Showing Review

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